Komech Room – Named after Aleksej Komech (Plavsk, Russia; 1936-2007) architecture historian and art critic, he has held important positions for the protection of Russian cultural heritage, including the Presidency of the Department of Cultural Heritage and the direction of the ‘State Institute of Artistic Studies of the Ministry; in his name the prize of the Russian Federation for social work in the field was named.
In the Aleksej Komech the Foundation has had the authoritative and participatory guide to the problems of protection against the progressive loss of the Russian cultural heritage. The Foundation has the opportunity to establish fertile relationships with the major Russian institutions.

Beglaryan Room – Named after Arest Beglaryan (Yerevan, Armenia; 1938-2011) one of the leading scientists in the field of geodetic engineering, holding important positions in scientific research and university teaching, such as that of Rector of the State University of Architecture and construction science in Yerevan, and obtaining many prestigious awards for his work as a scientist.
He has contributed decisively to the development of the relationships of the Fondazione Romualdo Del Bianco^® – Life Beyond Tourism^® with the Caucasian world and encouraging, through his example, dialogue that goes beyond political, religious and cultural contrasts.

Rovenko Room – Named after Oleksandr Rovenko (Penza, Russia; 1942-2005) musicologist and composer, Rector of the Odessa Academy of Music, has been involved in the education of young people, teaching both in Russia and in other countries, from Germany to China. His music is often performed in many international festivals.
With his warmth in human relationships and with his intelligent trust he constantly encouraged the development of the Foundation, and dedicated his talent as an artist to compose the anthem, which is a song in music ideals.

Shkaev Room – Named after Aleksej Shkaev (Balkhash, Kazakhstan;  1939-2010) architect, he laid the foundations of Kyrgyzstan’s architecture schools, becoming the first director of the National School of Architecture and Design and working intensively to foster the international education and recognition of young Kyrgyz architects.
Both on a scientific and creative level and on a human level, it has introduced the Foundation to relations with the countries of Eurasia, creating numerous opportunities for knowledge of their intangible heritage, and establishing a fertile dialogue with them in respect of the world cultural heritage.

Fanta Room – Named after Bohumil Fanta (Nové Město nad Metují, Czech Republic; 1942-2011) he has done an intense work in the field of design applied to the restoration of the monumental heritage, both with his activity as a designer, and holding positions such as Manager of the Planning Section of the Monument Restoration Office in Prague, and Dean of the Faculty of Architecture of the Polytechnic University of the Czech capital.
He first began with the Foundation the practice of annual meetings of study and discussion in Florence between young people from Central and Eastern Europe, focusing these meetings on the systematic study of the fundamental themes and practices of the Florentine Renaissance.

Zádor Room – Named after Mihály Zádor (Kaposvar, Hungary; 1929-2003) has played a major role in the field of architectural heritage. In addition to directing the Department of Conservation of Monuments and the Institute of History and Theory of Architecture at the University of Budapest, he presided over the Stone Conservation Committee for ICOMOS and then the Committee for Education.
He established and chaired the Hungarian committee of the Foundation’s experts, opening the latter to the complexity of world heritage issues and creating the first contacts and beginnings of familiarity with the most important international organizations in this regard.

Tsuji Room – Named after Arimitsu Tsuji (Kyoto, Japan; 1941-1996) he worked intensely as chairman of Kyokane Co. to pass on and communicate the Japanese history and culture expressed by the temples and sanctuaries of humanity, creating the ritual clothes and furnishings of ancient tradition for weddings and good wishes growth of children.
At the beginning of the activity of the Foundation, he also fostered cultural exchange and dialogue among young people, also as president of the international relations of the Rotary Club Kyōto Rakuhoku, thus contributing to asserting this idea of ​​the Foundation by offering it the launch of knowledge of Japanese culture.